Desert of the Real, anyone? |
Brave New World, Aldous Huxley, 1932
1984, George Orwell, 1949
Fahrenheit 451, Ray Bradbury, 1953
A Clockwork Orange, Anthony Burgess, 1962
Stand on Zanzibar, John Brunner, 1968
Soylent Green, film, 1973 (based on Harry Harrison’s Make Room! Make Room!)
"The Machine Stops," E.M. Forster
My personal favorite out of all of these - Stand on Zanzibar. It was clearly written in the '60s, but it's still ghastly fun, and written in a very interesting style.
To be a real dystopian story, it has to be more than just things going badly, right? Because I don't think of Zombie apocalypse stories or alien invasions as dystopias. I don't know if I even include post-nuclear worlds into your theme.
ReplyDeleteThe elements that make the story horrifying have to already be present in the world and the reader be able trace the progression from today to that future without an interruption, yes?
Can the setting be dystopian without the story being free of all light and hope?
Quite right. I should have said "things are going very, very badly - and it's our own darned fault." But it can be dystopian and still have hope, although that is quite rare. If there is hope, it's often hope that exists outside the dystopian society itself.
ReplyDeleteFor instance, in "The Machine Stops," the Machine Society collapses, but there is a remnant of humanity that never succumbed that might provide the chance for regeneration.